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谛亚家居

"High cold" wood carving popular traditional craft vitality

  • Categories:Industry trends
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  • Time of issue:2019-11-27
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(Summary description)She pays close attention to "intangible cultural heritage" and is keen to inherit and carry forward traditional culture; she leads the innovation and entrepreneurship team of college students to undertake the project of Guangdong Provincial Department of science and technology, and in five years to assemble and build the "Chinese ancient furniture woodcarving model library"; she, the leading wood art studio, is applying for the second batch of universities in Guangdong Province to inherit excellent traditional Chinese culture. She is an associate professor in the industrial design department of the Institute of mechanical and power engineering of Haida.

"High cold" wood carving popular traditional craft vitality

(Summary description)She pays close attention to "intangible cultural heritage" and is keen to inherit and carry forward traditional culture; she leads the innovation and entrepreneurship team of college students to undertake the project of Guangdong Provincial Department of science and technology, and in five years to assemble and build the "Chinese ancient furniture woodcarving model library"; she, the leading wood art studio, is applying for the second batch of universities in Guangdong Province to inherit excellent traditional Chinese culture. She is an associate professor in the industrial design department of the Institute of mechanical and power engineering of Haida.

  • Categories:Industry trends
  • Author:
  • Origin:
  • Time of issue:2019-11-27
  • Views:0
Information
She pays close attention to "intangible cultural heritage" and is keen to inherit and carry forward traditional culture; she leads the innovation and entrepreneurship team of college students to undertake the project of Guangdong Provincial Department of science and technology, and in five years to assemble and build the "Chinese ancient furniture woodcarving model library"; she, the leading wood art studio, is applying for the second batch of universities in Guangdong Province to inherit excellent traditional Chinese culture. She is an associate professor in the industrial design department of the Institute of mechanical and power engineering of Haida.
"Welcome to visit, please take a seat!" Yesterday, the reporter came to the maker space of the wood art workshop in carding. In front of her, the capable, enthusiastic and energetic female teacher is carding. "I was born in Heilongjiang, graduated from Harbin University of technology in 1991 with a master's degree in industrial design engineering from Jiangnan University in 2011. From 1991 to 2004, he was a teacher of Industrial Design Department of Art College of Yanshan University. In 2004, with the introduction of talents from Haida, we came to work in Zhanjiang together with our lover. I have lived here for 15 years, and I have regarded Zhanjiang as my "second hometown."
From 2014 to 2018, the wood art workshop of innovation and entrepreneurship team of college students led by Ben Dongning undertook the project "Research on the protection and inheritance of mortise and Tenon Technology of Chinese ancient furniture - Basic Construction of 1:3 removable wood carving model library of Chinese ancient furniture in museum collection" of Guangdong Provincial Department of Science and technology. In the past five years, the "woodcarving model database of Chinese ancient furniture" has been built, which has created an innovative idea for the research on the protection and inheritance of Chinese ancient furniture.
When it comes to "why should we take Chinese ancient furniture as the prototype", Bendong Ning said: "it's a pity that the traditional Chinese craftsmanship has been lost. The essence of hundreds or thousands of years cannot be lost. We should not only inherit this traditional handicraft, but also continue the wisdom and creativity of the Chinese tradition. "
The mortise and tenon structure is a traditional craftsmanship full of Chinese wisdom. It represents the soul of Chinese ancient architectural culture. One Yin and one Yang, one gain and one loss, complement each other and coexist. The protruding part is called "tenon", and the concave part is called "mortise". On the whole piece, there is no need to connect one nail or one thread of metal, but all of them are made up of concave and convex mortise and mortise, and the mortise and mortise are engaged, so that the wood and wood are perfectly connected. Its structure is tight and firm, no glue or nail is needed, and its appearance presents geometric beauty. Each artwork is unique and of great collection value. "In the museum, ordinary people can only watch from afar, and not all professionals can understand it. Ordinary people can only see a pattern. I want to copy and disassemble them so that we can get to know them more closely and deeply. "

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